Organizer Q&A

Catching up with Nicolas Cournoyer of Piknic Électronik

Sep 9, 2021

10 min read

Welcome to Festivals Insider's Organizer Q&A series. Here, we have intimate conversations with some of the festival market's most exciting and influential innovators.

We had the pleasure of catching up with Nicolas Cournoyer from Piknic Électronik - a weekly electronic music festival that takes place every Sunday during the summer in Montreal, Quebec. Whether you're a local, a tourist or an avid music fan, this festival is a fabulous place, and an opportunity to experience world-class music with the backdrop of a stunning view of the city in a super warm and friendly atmosphere!

What is your name and what is the name of your festival?

Nicolas Cournoyer from Piknic Électronik.

When did the festival start and what inspired it?

So it started in 2003. What did inspire it, is that the electronic music scene at the time, was getting more and more popular. There was a lot of events and at some point, it kind of lost the spirit around the electronic music scene in Montreal, and that's why we decided to create a new event.

What we wanted at the time is that for people to just know and discover the electronic music scene. There was a lot of prejudice around that kind of music at the time because it was at after-hours and raves with drugs and everything, and so we wanted people to just acknowledge that it's a new kind of music, and you can enjoy it. So and the other thing is that we wanted to take it out from its usual environment. So instead of going at nighttime, we wanted to do this during the daytime, and to have families and all kinds of people to be in a park, which changed the mood and the perception of the people around that kind of music. So that was the spirit and we want to showcase the local talents that we had, there was a lot of DJs, in Montreal as well, at the time, and we thought it was a good idea to do just a standard event in a park during the daytime.

When and where does it happen?

The event takes place in Parc Jean-Drapeau. So it's an island, just south of Montreal, five minutes from downtown Montreal. So it's a beautiful park, green spaces, mature trees. It's quite bucolic, and it takes place from Sunday, every Sunday of the summertime. So from May to September, from 2pm to 9:30pm.

Montreal BridgeMontreal Bridge

Tell us about the site and how it influences the festival?

It does influence a lot. Uh, because, you know, the electronic music used to be in warehouses and bars and like I said, during the nighttime. At the time, there were those smoky venues, and so to be outside, it changed the mood of the people. It's more open-minded, there are more people, I would say, from different age styles - it's a really eclectic crowd that we have. And of course to be outside during the daytime in green spaces - it brings something different.

The other thing is that it's a ritual. It's every Sunday, so there are all the people that come every week. As it's on a Sunday, it's Sunday afternoon, there's a lot of people just coming to chill out and to recharge their batteries just before beginning the next week at work so it's a bit different. Like I said, it's not the party night on Friday and Saturday, it's a more chill aspect. Of course, people are partying a bit they have a good time, they picnic but there are some people just laid back and yeah, you can just be outside and enjoy the summertime. And as you know, Montreal, the summertime in Montreal is really short, so people just embrace it and experience it as much as they can because winter's coming.

Join our family and become an Insider

Create your account and discover even more great content, set your preferences so that we can better suggest articles and livestreams of interest to you, and engage with fans like yourself!

Setting up an account will only take a few minutes!

Create an account now

What kind of musical artists play at your festival?

Like I said, it's a weekly event so we have around 20, 25 events during the summer time. So we don't want to be only in one kind of electronic music, we have really a broad variety of styles.

So it goes from House, Hard house, Dubstep, or some Funk and some Techno as well. We're not that much into EDM, pure EDM music. But like I said, it's it's a lot of electronic music that allows us to have different kinds of people so we can please all the music lovers, and that's why we didn't want to be only in a specific electronic music genre. So it goes from newcomers, some old school ones, some people getting more and more popular, and so we kind of try to have a balance of those artists during the summertime.

Piknic ElectroniquePiknic Electronique

Who was the first act you ever booked?

The first act we had at Piknic Electronique was DJ Mouse and Sun Shaper. So of course there were local DJs the first few years. It was a really small event. So we went, we had this year an average of 200 people. So it was really friendly. All our friends and other people, like I said, we're discerning those raves and wanted to have something special. So it was really small in the first few years, it was more local DJs, and that's what we want to showcase as well, there was a lot of talent in Montreal, and it took us a few years before having international guests.

What’s the most memorable set or sets for you?

So one of the most memorable sets we had at Piknic was the one with Josh wink, and others as well when the weather is involved.

So it was a bright day, a sunny, beautiful day with 1000s of people on the dance floor, but we knew at some point that there were risks of thunderstorms at night, so by the end of the day. So what did happen, we saw those black, dark clouds coming, and then the storm hit us, and at some point, it was just raining sideways. People were continuing dancing at some point and got really windy, and there was some risk for the public. So it was the first time in our history that we had to shut down and tell on the mic to people just go away, get somewhere safe, and people will start just running everywhere in bushes, at the subway, they tried to find something to hide. And, and like I said, the storm hit us for 15 minutes, but after afterwards, what, bright sun again at the end of the day. So let's see what we do, it was almost the end, there was only 15 minutes left over at the day. So it's okay, let's put music so Josh put the music and then we saw all those people just running, came back and screaming, all wet, all over and dancing, and screaming and that was the most epic reaction of the public and of a set at Piknic.

Who is the target audience for your festival?

As we're not pinpointing on a specific electronic music, and see the public we're trying to have at the event is really broad as well. So it will follow all kinds of music, if we want some dubstep crowd, we go with that kind of music, more bassy stuff, more house, some more conventional electronic music - so it's really eclectic.

The public goes from, from young people to older one with some with the families, some hipsters, douchebags, the hippies, all kinds of people. So it's an open mind event, we're gathering all kinds of people, and we want to keep it like this, because that's what makes special, the event.

In fact, the crowd has a real huge impact. In Montreal, people are music lovers, all kinds of music, not only electronic music, and I would see the dialogue, the interaction with the DJs is really special. And that's why those DJs love to come back to Montreal - and that's part of the spirit of the event. So you're during the daytime, you're outside in a green space with those good DJs and people in a good mind - so that's the perfect recipe for us.

Piknic ElectroniquePiknic Electronique

Want more Organizer Q&A?

Stay up-to-date and have the latest Organizer Q&A delivered straight to your inbox!

By clicking Sign Up, you agree to our Privacy Policy and Cookie Policy. You may receive email communications from us and can opt-out at any time.

What is unique about your festival? What sets it apart?

What's so unique? Yeah, first of all, we're in the best city in the world. We have the best crowd as well. But the main thing is, it goes on every week, so it's a weekly event, it's a ritual, people comes on Sunday, there's not that much competition as well. It's really laid back, people are just open minded, they want to have fun, and they're gathering together having a good time. So it's really a chill event, but with good music, all kinds of music so we can go on with those bookings - it sets the whole summer time in Montreal on the cultural scene.

So that's one thing, if you want to travel, so if people are just travelling and come into Montreal, you know that every Sunday from May to September, you can go jump in and have a good time. Even though if you don't know the bookings, the artist who's playing, it doesn't matter. So it's to be there with the Montreal way of life and with the good spirit, the Latin blood, we like to party! And that's why I think people like this event.

Piknic ElectroniquePiknic Electronique

What are some of the challenges you've faced in organizing your festival?

Of course, there's a lot of challenges we had over the course of time. Sometimes it's financial, some money wise, so sometimes it's growing - if it grows too fast, you need to adapt and adjust stuff. But the main thing, the main challenge we have is with the weather, it all decides if it will, it will be a good summer or not. If you're cancelling a few events, and because it's raining, or you have too wet or too much thunderstorms during the summertime, that's pretty tough, and you never know.

As, we're on a public site, we're setting up on the Sunday and wrapping up on the same day. So you can't just say okay, all open, because it's a beautiful weather, so you need to do to be ready with the employees and to set it up and decide or not if you do the events. So if you pull the trigger and say, okay, let's do it, and it's raining all day, you lose a lot of money. On the other hand, if you, you take the wrong decisions, it costs you a lot, because the expenses are, are still there. So the weather is our main challenge. And like I said, the evolution of the music scene, you need to really be up to date - if you sit on your couch and wait people will forget you, you won't be actual, you won't have those good bookings, and you want to last in time - and that's what we're trying to do.

We were talking about challenges, hahahaha, and I almost forgot! The Pandemic, of course, it does affect us. See, last year, we've done virtual events, but there's nothing like being there in person, so that was really tough - so we lost the year 2020.

We were really on the good, good wave, in 2019. We averaged 8,000 - 10,000 people every Sunday, so it was really incredible - and then everything stopped, and to date, we don't know what will be what we'll look like next Summer in 2021. But of course, it does affect us a lot.

I said that the weather was the main challenge, but for now, it's the pandemic. It's tough on everyone because artists can't work, we do not work even though we have some plan B's but it's tough to do. Fortunately, there's some subsidies from the government that help us and we're just keeping our fingers crossed for the next step. But of course, once it will be secure for people to go out and go to events, we know that people will be looking forward for that and be willing to dance and enjoy those events - but we don't know yet. So that's the main problem is the future. In the short term you don't know but long term we know that the big people will survive and can be there in 20 years again!

Feedback

How would you rate this article?

More fromOrganizer Q&A

Explore series
Imagine Music FestivalImagine Music Festival

Organizer Q&A

The Creative Partnership of Imagine Music Festival Founders Glenn & Maddy Goodhand

6 min read

Papaya Club @ Sonus FestivalPapaya Club @ Sonus Festival

Organizer Q&A

Robin Ebinger of Sonus and Time Warp on What it Takes to Last in the Festival Industry

8 min read

Elements 2021Elements 2021

Organizer Q&A

Founders Say Elements Music & Arts Festival 2022 is the Pinnacle of a Decade Long Journey

6 min read

Bernd Breiter PressBernd Breiter Press

Organizer Q&A

An In-Depth Chat with Bernd Breiter of Big City Beats WORLD CLUB DOME

11 min read

Slam (Riverside Festival)Slam (Riverside Festival)

Organizer Q&A

Getting the lowdown on Riverside Festival with Stuart McMillan

4 min read

Caio TabordaCaio Taborda

Organizer Q&A

Catching up with Caio Taborda of Xama Festival, Brazil

4 min read

John Minty - Splore FestivalJohn Minty - Splore Festival

Organizer Q&A

A Rundown on Splore Music & Arts Festival with John Minty

3 min read

Theodora Karakassi Press ShotTheodora Karakassi Press Shot

Organizer Q&A

We sat down with Theodora Karakassi of Plisskën Festival

6 min read

Albert SalinasAlbert Salinas

Organizer Q&A

Catching up with Albert Salinas of Lapsus Festival

5 min read

Evan Bailey - Ubbi Dubbi Press PictureEvan Bailey - Ubbi Dubbi Press Picture

Organizer Q&A

A Chat with Evan Bailey of Ubbi Dubbi Festival

10 min read

Tommy Verdun (FuturFestival)Tommy Verdun (FuturFestival)

Organizer Q&A

A Chat With Tommy Verdun From FuturFestival

5 min read

Robin Brühlmann (Street Parade)Robin Brühlmann (Street Parade)

Organizer Q&A

Robin Brühlmann (Street Parade, Zurich)

3 min read

Florian Bourdot (Bordeaux Open Air)Florian Bourdot (Bordeaux Open Air)

Organizer Q&A

Florian Bourdot (Bordeaux Open Air)

7 min read

Nick Castleman (Labyrinth)Nick Castleman (Labyrinth)

Organizer Q&A

Nick Castleman (Labyrinth Open Air)

15 min read

Tamara Przystasz (Fest Festival)Tamara Przystasz (Fest Festival)

Organizer Q&A

Tamara Przystasz (Fest Festival)

7 min read

Rob Da BankRob Da Bank

Organizer Q&A

Rob Da Bank (Camp Bestival)

6 min read

Anastasios DiolatzisAnastasios Diolatzis

Organizer Q&A

Anastasios Diolatzis (reworks)

6 min read

Katrin & Jon Olaffson (Secret Solstice) Press ShotKatrin & Jon Olaffson (Secret Solstice) Press Shot

Organizer Q&A

Katrín Ólafsson and Jón Bjarni Steinsson (Secret Solstice Festival)

6 min read

Freddie McGreggor (One Out)Freddie McGreggor (One Out)

Organizer Q&A

Freddie McGreggor (One Out Festival)

3 min read

Lachie Gordon of Noisily FestivalLachie Gordon of Noisily Festival

Organizer Q&A

Lachie Gordon (Noisily Festival)

3 min read

Junction2Junction2

Organizer Q&A

Feeling So Real – How Junction2 Organizers Create Community In The Digital Space

11 min read

Gustavo PereiraGustavo Pereira

Organizer Q&A

Gustavo Pereira (Neopop Festival)

11 min read

Julian Prince of SXM FestivalJulian Prince of SXM Festival

Organizer Q&A

Julian Prince (SXM Festival)

5 min read

Timothy Monkiewicz (Elements Music & Art Festival)Timothy Monkiewicz (Elements Music & Art Festival)

Organizer Q&A

Timothy Monkiewicz (Elements Music & Art Festival)

7 min read

Label Insider

Building Community Through Music With Good Society [Interview]

Aug 31, 2022

6 min read

josh-yamini-good-societyjosh-yamini-good-society

Hailing from sunny Los Angeles, California, Good Society embodies the feelings of warm weather, endless days, and good vibes. The record label and event promoter is renowned for their incredible line-ups, careful curation, and stacked compilations. Their latest project Good Society Volume 3 pushes the future beats sound with standout artists like oshi, capshun, Laxcity, whereisalex, DECAP, Chromonicci, and more. They're a mainstay in LA and have been expanding their shows out of state to Salt Lake City, San Francisco, and Austin, for SXSW. 

With Good Society's constant growth we felt it would be the perfect time to connect with Josh Yamini, the brand's founder to get an inside look at what makes them so good. We discuss their origins, the fusion of hip-hop and electronic music, fostering relationships, creating a unique live experience, and much more. 

Starting at the beginning, Josh explains what sparked the birth of his platform saying, "I started Good Society as an expression of my love for the underground and bringing people together. My taste in music was largely influenced by SoundCloud at the time of launch and all of my experiences at Insomniac festivals made me want to put that love of music and people into action." 

One of the core facets of what makes Good Society so special is their ability to bring together the worlds of hip-hop and electronic music. Whether it's future beats, chilled-out lo-fi, or experimental hip-hop and trap, this fusion is central to Good Society's platform.

"My love for these genres initially stemmed from ripping gems off of YouTube and Adult Swim bumps. I listened to lots of Nujabes, Flying Lotus, and Erykah Badu at the time which then evolved into listing to artists like Mr. Carmack, Sam Gellaitry, and Smino. Oftentimes I’ll bring my knowledge of the beat scene together with vocalists that I’m newly discovering to create a blend of genres that’s totally unique. Other times I might just be working with the artists who’ve coined a sound in between the two and are perfectly representing the medium with us," Josh elaborates about bringing together the two sonic worlds. 

In addition to uniting unique sounds, Good Society strives to bring people together. This applies to fans, through the music and events, as well artists. Josh expands on this outlook, "Our goal is to create a space where people can express themselves and find common ground through music. Ultimately we’d like to bring that to scale and create immersive experiences that go beyond traditional club settings while incorporating the songs and artists we’re releasing on our label. We want to create an ecosystem."

The genuine love for connection is what makes the brand so good. While some platforms focus more on numbers, social media following, or ticket sales, Good Society is all about creating an intangible vibe through human connection. Whether it's friendships, business relationships, or something even deeper.

"The good in Good Society stems from all of the constructive relationships this brand has built with artists, fans, and listeners alike. Many of our work relationships extend into personal ones. We’ve seen countless people having become close friends or start dating after having met at Good Society events. One couple is even getting married!"

Good-society-showGood-society-show

Become an Insider and stay In-The-Know

The latest livestream roundups, interviews with artists and industry leaders, and thought-provoking articles delivered straight to your inbox!

By clicking Sign Up, you agree to our Privacy Policy and Cookie Policy. You may receive email communications from us and can opt-out at any time.

Relationships are the cornerstone of any great business, but authenticity is what seems to separate Good Society from your typical promoter and label. Their connections are longstanding with many artists and come out of genuine respect and appreciation for their work. The brand is an extension of its founder's life. The friendships and connections along the way aren't just to the benefit of the label but are also about enriching his personal life.

"Much of our early outreach was done through Instagram and led to us doing things like flying out chromonicci for our second show ever, when we were really just learning the ropes and how to refine our events process. I’ve done everything very personally with this brand to the point of hosting artists at my apartment for the week of our shows, such as chromonicci, capshun, zotti, J Kuch, Malik Eliah, and more. Running Good Society is just as much a means to expand on my own life as it is for that of the audience that I curate for. So these relationships I’ve formed with everyone involved are directly tied to my own happiness," Josh tells us.

Loading...

While Josh is the driving force behind Good Society, he's not doing it alone. Roto and MadBliss serve as the brand's resident DJs. In addition, they have their own videographer, Gavin Banksy, and Arielle Lana LeJarde serves as their publicist and advisor (editors note: Arielle is a writer for Festival Inside but did not take part in writing this feature). Josh handles the majority of the bookings, label releases, promotion, content, and social media while collaborating with different partners on a per-project basis. 

Matching the quality of their label releases, the Good Society events series looks to raise the bar. Josh explains what makes the series special saying, "The vision behind our concerts was initially to throw them in nature. Being that we’re in a big city, it felt natural to build up the foundation of our brand with solidly curated lineups, and uniquely unforgettable nights. More recently we’ve pivoted into renegade shows, different experiences such as the boat party, and are slowly gearing up to diversify the setting of our parties to better fit our initial dream of Good Society. What makes our events special is the fluidity of it all. You might get a live band 420 show with seemingly infinite free cannabis, a massive warehouse party with Alexander Lewis, or cruise on a boat across the ocean with Josh Pan & Luca Lush. We’ve even done insane live shows at a mansion and in a tunnel on the beach. Our diversity of curation and experiences is one of our strongest points."

Good Society has a lot of exciting prospects on the horizon. They will be expanding their events series, working towards an outdoor indie festival, and releasing more thematic compilations pushing the sounds they love. Josh closes our interview fittingly with an invitation to all, "I hope you get to attend one of our shows in the future or are positively charged by the music we release! Moreover, I hope we get to meet someday. Don’t be a stranger!"

Good Society Volume 3

"I curated this project to affirm the belonging of hip-hop & electronic music in a single space. Otherwise known as future beats, this project brings together soulful and jazzy boom bap production riddled with soulful rap vocals and electronic sound design."- Josh Yamini

Loading...

Feedback

How would you rate this article?

This site uses cookies to help provide you with a great user experience. By using Festival Insider, you accept our use of cookies.